In Light of India – II

Rama & Allah

Octavio Paz is incisive when he speaks about the coexistence of the two religions that are strikingly at extremes – one the richest and most varied form of polytheism and the other, the strictest and most uncompromising form of monotheism. He observes how the two communities retained their identities without fusing and how the Muslim invasion happened in India long after the decline of Islamic civilization itself. He also notes that Sufi mysticism triggered a literary tradition in northern India, just as the Bhakti movement drawing on the Sufi influences sought to challenge orthodox Hinduism.

“Kabir is the son of Allah and Rama. He is my Guru, he is my pir…Tagore translated Kabir’s poems because, in Kabir’s Unitarian vision, he had seen a failed promise of what India could have become.”

Paz highlights the contributions of Akbar and Dara Shikoh. Dara’s translation of translation of Upanishads into Persian eventually ended up in Schopenhauer’s desk and through him, inspire Nietzsche and Emerson. Schopenhauer had called all his poodles as Atma – Soul. However, the period of enlightenment was followed by the dark years of Aurangzeb who according to Paz deepened the fault lines between Hindus and Muslims – divisions that echoed across centuries. He also noted that the East India Company had rarely interfered with the social fabric or religious identities of Indians, they instead exploited the divisions for profit and deflect conflicts away from colonial masters. Ironically, the notion of nationhood was an idea given to the Indians by the same foreign rulers.

Another striking aspect of the book is Paz’s take on the caste system. Often condemned—and sometimes confused with racism—caste is, for Paz, also a way to understand the Hindu social fabric in relation to its philosophy of Karma. He acknowledges the critics of untouchability, but warns those who recoil at the word “caste” not to overlook the ancient hypotheses of cosmic order and the doctrine of Maya — the illusion of time – which assures that even suffering souls will eventually be freed through the cycles of birth and death.

Modern Indian History

From religion and social philosophy, Paz turns to the figures of modern Indian history: Raja Ram Mohan Roy, Subhash Bose, Gandhi, Nehru, V.K. Krishna Menon, M.N. Roy. Of these Menon and Roy drew his sharpest attention. According to Paz, Menon was a malignant influence on Nehru who ultimately proved to be a “fatal union” for Nehru.

“Menon was an arrogant and intelligent man, but, as so often happens with the proud, he was not the master of his own ideas: he was possessed by them. Nehru was never able to recuperate from the disaster of his foreign policy.”

By contrast, Paz’s account of M.N. Roy is replete with fascination and respect. Reading Paz’s account of Roy’s many political transformations, especially with the benefit of hindsight that we have now, one couldn’t but admire Paz’s prescient grasp of political history and recognition of Roy as perhaps the only genuine political mind to have emerged from India to leave a a lasting impact on International politics.

Roy’s journey was extraordinary: an extreme nationalist inspired by Marx, pursued closely by British Intelligence, he fled to Chicago, and later during the First World War sought asylum in Mexico. There, he helped found the Communist Party. Impressed by Roy’s activities and skills, Lenin invited him to participate in the Third International and made him its agent in Central Asia and China. Yet Roy eventually broke with both the Comintern and Marxism itself. Returning to India, he fought for Independence, and spent years in Jail, and during the Second World War supported the Allies, recognizing the threat of Nazism posed as far greater than colonialism, and rejecting to take sides with either Gandhi or Subhash Bose.

After the war, convinced that the totalitarian system founded by Lenin and Bolsheviks was a disaster, he formulated Radical humanism as a revolutionary response to the failure of socialism. His ideas may not have endured, yet Paz’s brilliant portrait of M.N. Roy- spare, brilliant and perceptive – captures a political genius in a few strokes that might not be found in Kosambi’s tomes of political history.