Israel and the Baiting Crowd

When mythology becomes ideology and ideology becomes execution, a darker logic takes hold.

The blood-curdling acts of cruelty unleashed on civilians in their homes—targeted killings, hostage-taking, and indiscriminate violence—mark a terrifying regression into primal forms of conflict. These actions, as witnessed in recent Hamas attacks, go far beyond political grievance or tactical warfare. They reflect an ideological totality rooted in an unredeemable vision of the enemy. In such a vision, there is no room for coexistence—only elimination.

Radical Islamic terrorism, such as that espoused by Hamas, draws its fervor from literalist interpretations of religious texts. These scriptures, while diverse and often poetic, are seized upon by extremists to construct closed, absolutist narratives—myths that sanctify violence and demonize the other.

Yuval Harari, in Sapiens, argues that Homo sapiens rose to dominance not through brute strength but through the unique ability to share stories—fictional narratives that enabled mass cooperation. Religion, like law and nationalism, is among the most enduring of these inventions. These stories—what Harari calls “gossip”—bind individuals into communities. But when transformed into dogma and wrapped in divine authority, they can become weapons.

This is the foundation of radical Islamist ideology: where myth becomes command, and faith becomes justification for violence. The enemy is no longer just a political adversary, but a moral and ontological threat whose very existence defiles the sacred narrative. The religious story becomes a call to arms.

The execution of this call finds disturbing resonance in Elias Canetti’s Crowd and Power. Canetti describes the “baiting crowd” as the most ancient and primal form of collective action. It forms around a quickly attainable goal: a victim, clearly marked, defenseless, destined. The crowd moves with single-minded purpose. Each individual strikes a blow, not out of strategy, but out of ritual. The killing is both symbolic and literal—meant to rid the group of its own fear, its own death. Yet paradoxically, after the execution, the crowd disperses, more anxious and fractured than before.

This, then, is the horrifying convergence: Harari’s myth-making meets Canetti’s crowd impulse. The ideology draws legitimacy from scripture, and the crowd, believing in that narrative, acts it out with blood-soaked devotion.

In the ideology of Hamas, we see this pattern laid bare. A theology that lionizes martyrdom and promises divine reward collides with a political fantasy of erasing Israel. The result is a mobilized crowd willing to kill and be killed—not as soldiers, but as believers acting out a sacred script.

What makes this moment more dangerous is the global amplification of this narrative. Despite Hamas’s use of civilians as human shields, its genocidal charter, and its rejection of compromise, there is a rush—in parts of the Islamic world and among segments of the global left—to frame its actions as resistance rather than terror. Israel’s right to self-defense is questioned more than Hamas’s right to exist.

This signals a disturbing moral inversion. Those who slaughter in the name of God are humanized. Those who retaliate to protect civilians are pathologized. The baiting crowd is no longer confined to streets or battlefields. It has gone virtual, networked, and transnational—spurred on by ideology, grievance, and a prophetic sense of historical destiny.

Harari ends Sapiens with a warning: that humanity, having acquired godlike technologies, remains dangerously guided by prehistoric instincts. Unless we interrogate the stories we believe in—how they form, how they justify violence, how they sanctify crowds—we risk returning to the oldest form of brutality: the hunting pack, now cloaked in scripture and broadcast to billions.